born in 1956, Santiago, Chile, lives and work in New York, United States.
The Geometry of Solitude
Goodman Gallery, Cape Town, South Africa
Be Afraid of the Enormity of the Possible
Kestner Gesellschaft, Hannover, Germany
The End of the World
KINDL, Berlin, Germany
Alfredo Jaar. One Million German Passports
Rotunda Projekt 2023, Pinakothek der Moderne, Munich
The 11th Hiroshima Prize Commemorative Exhibition
Hiroshima MOCA
Alfredo Jaar. El lado oscuro de la luna
Museo Nacional Bellas Artes, Santiago, Chile
The Temptation to Exist
Galerie Thomas Schulte, Berlin
Alfredo Jaar. The Temptation to Exist
Galerie Lelong & Co., New York
Alfredo Jaar. Whispers and Cries
curated by Louise Walthers and Dragana Vujanovic Ostlind, 2020 Hasselblad Award Exhibition, Hasselblad Foundation, Gothenburg, Sweden
Alfredo Jaar: The Structure of Images
curated by Isabel Casso, Museum of Contemporary Art Chicago, USA
Lament of the Images
SESC Pompeia, Sao Paolo, Brazil
Alfredo Jaar. Red Vienna
curated by Bärbel Vischer and Sebastian Hackenschmidt, MAK-Museum of Applied Arts, Vienna, Austria
Alfredo Jaar. The Rwanda Project
1994–2000, curated by Koyo Kouoh, Zeitz Museum of Contemporary Art Africa (MOCAA), Cape Town, South Africa
1973
curated by Jon Bird, Galerie Hubert Winter, Vienna
The Divine Comedy
MONA – Museum of Old and New Art, Tasmania, Australia
Koen Wessing: Chili, September 1973
– curadoria de Alfredo Jaar, Nederlands Fotomuseum, Rotterdam, The Netherlands
Shadows
Nederlands Fotomuseum, Rotterdam, The Netherlands
Lament of the Images
Galleria Lia Rumma, Milan, Italy
Rosa, Karl, Bertolt, Herbert and the others (public intervention)
N.B.K., Berlin, Germany
The Garden of Good and Evil
Yorkshire Sculpture Park, Yorkshire, England
Shadows
Carpintarias São Lázaro, Lisbon, Portugal
A Logo for America
The Clevenland Musem of Art, Clevenland, USA
The Politics of Images
Galeria Luisa Strina, São Paulo, Brazil
Shadows
Galerie Thomas Schulte, Berlin, Germany
The Politics of Images
Joaquim Nabuco Foundation, Recife, Brasil
Alfredo Jaar: May 1
2011, Centro Cultural Matucana 100, Santiago, Chile
Nous l’avons tant aimée, la revolution
Musée d’Art Contemporain, Marseille, France
Alfredo Jaar: Gold in the Morning
Galeria Luisa Strina, São Paulo, Brazil
Shadows
Galerie Lelong, New York, New York
A Logo for America
Spectacolor Lightboard, One Times Square, New York, New York
22 Women: An Installation by Alfredo Jaar
SKMU Sørlandets Kunstmuseum, Kristiansand, Norway
Alfredo Jaar: The Sound of Silence
Center of Contemporary Art, Torun, Poland
Alfredo Jaar: The Sound of Silence
Galeria Patricia Ready, Santiago, Chile
Alfredo Jaar: El Silencio
Parque de la Memoria, Buenos Aires, Argentina
Alfredo Jaar: Tonight No Poetry Will Serve
KIASMA Museum of Contemporary Art, Helsinki, Finland
Shadows
Savannah College of Art and Design Museum of Art, Savannah, Georgia
Abbiamo amato tanto la rivoluzione
Fondazione Merz, Turin, Italy
Music (Everything I know I learned the day my son was born)
Nasher Sculpture Center, Dallas
The Politics of Images
Les Rencontres Arles Photographie, Arles, France
Venezia, Venezia, Chilean Pavilion
55th Venice Biennale, Venice, Italy
Alredo Jaar: Culture = Capital
Marseille – Provence 2013, Capitale Européene de la Culture, France
Alfredo Jaar: The Politics of Images
Ryerson University Image Centre, Toronto, Canada
Alfredo Jaar: The Sound of Silence
Nederlands Fotomuseum, Rotterdam, The Netherlands. Travelled to Malmö Konsthall, Malmö, Sweden
Alfredo Jaar / Gold in the Morning
Goodman Gallery, Johannesburg, South Africa
Alfredo Jaar: Cultura = Capital
Guimarães 2012 European Capital of Culture, Portugal
Alfredo Jaar, Kultur = Kapital
Galerie Thomas Schulte, Berlin, Germany
Alfredo Jaar: The Way it is. An Aesthetics of Resistance
Berlinische Galerie, Neue Gesellschaft für Bildende Kunst e. V., and Alte Nationagalerie, Berlin Germany
Alfredo Jaar. It is difficult
Pirelli HangarBicocca, Mailan, Italy
Alfredo Jaar. Real Pictures. 1995-2007
Musée des Beaux Arts, Lausanne, Schwitzerland
The Museum of Contemporary Art, Rome, Italy
The Museum of Contemporary Art, Chicago, USA
Moderna Museet, Stockholm, Schweden
1+1+1. Works by Alfredo Jaar
The New Museum of Contemporary Art, New York, USA
Alfredo Jaar. Two or Three Things I Imagine About Them, Whitechapel Gallery, London, UK
Quand les artistes pensent l'économie
Topographie de'l Art, Paris
Everything Is True - Nothing Is Permitted
Brutus, Rotterdam
The Story of Public Art
MAPS Museum Køge, Denmark
Other People Think – A Selection from the Wemhöner Collection
Marta Herford, Germany
Postcards from the Heart: Selections from the Brigitte and Henning Freybe Collection
Vancouver Artgallery, Kanada
Out of focus, another vision of art from 1945 to the present day
Musée de'l Orangerie, Paris
Collaboration: A Potential History of Photography in Dialogue with the MoCP Collection
Museum of Contemporary Photography, Chicago
A Man Stood in the Square,
Jeonnam Museum of Art Gwangyang-si, Jeollanam-do, South Korea
Policing Justice
PICA, Portland Institute for Contemporary Art, USA
Quiet as It's Kept
Whitney Biennial 2022, New York City (curated by David Breslin and Adrienne Edwards)
Currency: Photography Beyond Capture
8. Triennial of Photography Hamburg 2022 (curated by Koyo Kouoh, Rasha Salti, Gabriella Beckhurst Feijoo, Oluremi C. Onabanjo)
CRAZY: Madness in Contemporary Art
Dart – Chiostro del Bramante, Rome (curated by Danilo Eccher)
This Is Not America's Flag
The Broad, Los Angeles
America. Between Dreams and Realities. Selections From the Hirshhorn Museum and Sculpture Garden Collection
Musée national des beaux-arts du Québec
Power! Light!
Kunstmuseum Wolfsburg, Germany
CORPUS DOMINI, Dal Corpo Glorioso Alle Rovine Dell´anim
a, curated by Francesca Alfano Miglietti, Palazzo Reale, Milan, Italy
Music (Everything I know I learned the day my son was born)
Bienal de Artes Mediales, Museo Nacional de Bellas Artes, Santiago, Chile
Sao Paulo Bienal
curated by Jacopo Crivelli, Parque Ibirapuera, Sao Paolo, Brazil
AORA: IV
curated by Jennifer Caroline Ellis, AORA SPACE
Climate Museum: Life and Death of Our Home
Seoul Museum of Art, Seoul, South Korea
Babies are Knocking
Studio Stefania Miscetti, Rome, Italy
This World Is White No Longer
curated by Thorsten Sadowsky and Jürgen Tabor, Museum der Moderne Salzburg, Austria
The other, the same
curated by Beatrice Merz and Agata Polizzi, ZAC, Cantieri Culturali alla Zisa, Palermo, Italy
The Fear Society - Pabellón De La Urgencia
53rd Venice Biennale, Venice, Italy
African Pavilion, 52nd Venice Biennale, Venice, Italy
documenta 11
curated by Okwui Enwezor, Kassel, Germany
documenta 8
curated by Manfred Schneckenburger, Kassel, Germany
42nd Venice Biennale, Venice, Italy