Galerie Hubert Winter

Francesca Woodman

Artist's  books

2011

Quaderno di Francesca Woodman

1981

Daniel Tucker (ed.), Some disordered Interior Geometries, Philadelphia

1979-80

Quaderno dei Dettati e dei Temi, New York

1978

Angels, Calender Notebook

1977-78 

Sig. Ferrate, Rome 

1976  

Portrait of a Reputation

n.y.

Portraits, Friends, Equations Notebook

Monographs

2014

Gabriele Schor, Elisabeth Bronfen (eds.): Francesca Woodman: Works from the SAMMLUNG VERBUND. Cologne.

2012

Isabella Pedicini, Francesca Woodman: The Roman years: between flesh and film. Rome.

Emmie Donadio (ed.), Screened and Selected II: Contemporary Photography and Video Acquisitions: 2006-2011. Exh. cat. Middlebury College Museum of Art. Middlebury.
 

Femmescapes. Exh. cat. Mills College Art Museum, Oakland. San Francisco.

Poul Erik Tojner (ed.) Acquisitions 2009-2011. Exh. cat. Louisiana Museum of Modern Art, Humblebaek. 

2011

Gavin Delahunty, Christoph Benjamin Schulz (eds.) Alice in Wonderland: Through the Visual Arts. Exh. cat. Tate Liverpool, Museo di arte moderna e contemporanea di Trento e Rovereto. London.

2010

Gabriele Schor (ed.), DONNA: Avanguardia Femminista Negli Anni '70 dalla SAMMLUNG VERBUND di Vienna. Exh. cat. Galleria nazionale d'arte moderna e contemporanea, Rome. Milan.

Jane Alison (ed.), The Surreal House. Exh. cat. Barbican Art Gallery, London. New Haven/London.

2009

Patricia Allmer (ed.), Angels of Anarchy: Women Artists ad Surrealism. Exh. cat. Manchester Art Gallery. Munich/London/New York.

Maite Méndez Baiges, Pedro Pizarro (eds.), Camuflajes. Exh. cat. La Casa Encendida. Madrid.

Johannes Porsch, Daniela Zyman (eds.), Transitory objects. Exh. cat. Thyssen-Bornemisza Art Contemporary, Vienna. Cologne.

2008

Beat Wismer (ed.), Diana und Actaeon - der verbotene Blick auf die Nacktheit. Exh. cat. Museum Kunstpalast, Düsseldorf. Ostfildern.

Inka Graeve Ingelmann (ed.) Female Trouble: Die Kamera als Spiegel und Bühne weiblicher Inszenierung. Exh. cat. Pinakothek der Moderne, Munich. Ostfildern.

Urs Stahel, Teresa Gruber (eds.), Darkside 1 - Photographic Desire and Sexuality Photographed. Exh. cat. Fotomuseum Winterthur. Göttingen.
Collier Schorr (ed.), Freeway Balconies. Exh. cat. Deutsche Guggenheim, Berlin. New York.

2007

Lisa Gabrielle Mark (ed.), WACK! Art and the Feminist Revolution. Exh. cat. The Museum of Contemporary Art, LA, National Museum of Women in the Arts, Washington, D.C., P.S. 1 Contemporary Art Center, New York, Vancouver Art Gallery. Cambridge, Massachusetts/London.

Rosella Caruso (ed.), The Woodman Family. Exh. cat. Biagiotti Progetto Arte. Florence.

Gabriele Schor (ed.), HELD TOGETHER WITH WATER: Art from the SAMMLUNG VERBUND. Exh. cat. MAK-Austrian Museum of Applied Arts, Vienna. Ostfildern.

Lynne Cooke (ed.), Ellipsis: Chantal Akerman, Lili Dujourie, Francesca Woodman. Exh. cat. Museo Tamayo Arte Contemporáneo, Mexico City, Lunds konsthall, Dundee Contemporary Arts. Lund.

Laura Iamurri (ed.) Autoritratto / Autobiografia. Exh. cat. Museo Hendrik C. Andersen, Galleria Nazionale d'Arte Moderna. Rome.
 

30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery. Exh. cat. Marian Goodman Gallery. New York.

2006

Maurice Fréchuret (ed.), Dormir, rêver ... et autres nuits. To sleep, to dream ... and other nights. Exh. cat. CAPC musée d'art contemporain de Bordeaux. Lyon.

Sofie can Loo (ed.), GORGE(L): Oppression and Relief in Art. Exh. cat. Royal Museum of Fine Arts, Antwerp. Ghent.

Rachel Kent (ed.), Masquerade: Representation and the Self in Contemporary Art. Exh. cat. Museum of Contemporary Art Australia. Sydney.

Maurizio Cattelan (ed.), Of Mice and Men: 4th berlin biennal for contemporary art, Berlin. Ostfildern. 

2005 

Michael Rush (ed.), Indeterminate States: Video in the Ella Fontanals Cisneros Collection. Exh. cat. Cisneros Fontanals Art Foundation. Miami.

Platon Rivellis (ed.), Photography and Fashion. Exh. cat. Megaron, Athens Concert Hall. Athens.

Sandra S. Phillips (ed.), Taking place: Photographs from the Prentice and Paul Sack Collection. Exh. cat. San Francisco Museum of Modern Art. San Francisco.

2004

Hemma Schmutz, Tanja Widmann (ed.), That bodies speak has been known for a long time. Exh. cat. Generali Foundation, Vienna. Cologne.

2003 

Alison Ferris (ed.), The disembodied spirit. Exh. cat. Bowdoin College Museum of Art, Brunswick, Kemper Museum of Contemporary Art, Kansas City, Austin Museum of Art. Brunswick.

Margot Heller, Tom McCarthy (eds.), Incommunicado. Exh. cat. Hayward Gallery, London; Sainsbury Centre for Visual Arts, Norwich, City Art Centre Edinburgh, Cornerhouse Manchester. London.

2002

Jennifer Waldron (ed.), Camera Women. Exh. cat. Princeton Univerity Art Museum, The Frances Lehman Loeb Art Center, Vassar College. New York.

2001

Relative Positions. Exh. cat. Contemporary Arts Museum, Houston.

2000

Silvia  Eiblmayr, Dirk Snauwart, a.o. (eds.), The Wounded Diva: Hysteria, Body and Technology in the 20th Century Art. Exh. cat. Kunstverein München, Munich, Städtische Galerie im Lenbachhaus, Rotunde Siemens Kulturprogramm, Munich, Galerie im Taxispalais, Innsbruck, Staatliche Kunsthalle Baden-Baden. Cologne.

1999

Lisa Phillips (ed.), The American Century: Art & Culture, 1950 - 2000. Exh. cat. Whitney Museum of American Art. New York.

1998

Space/Sight/Self. Exh. cat. The David and Alfred Smart Museum of Art at The University of Chicago. Chicago.

 1997

Amours. Exh. cat. Fondation Cartier pour l'art contemporain. Paris.

Cathrin Pichler (ed.), Engel, Engel. Exh. cat. Kunsthalle Wien, Vienna, Galerie Rudolfinum, Prague. Vienna.
 

Im Reich der Phantome: Fotografie des Unsichtbaren. Exh. cat. Städtisches Museum Abteiberg Mönchengladbach, Kunsthalle Krems, Fotomuseum Winterthur. Ostfildern.

1996

M. Catherine de Zegher (ed.), Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine. Exh. cat. Kanaal Art Foundation; The Institute of Contemporary Art, Boston, National Museum of Women in the Arts, Washington, D.C., Whitechapel Gallery, London. Cambridge, Massachusetts.

1992

Sprung in die Zeit: Bewegung und Zeit als Gestaltungsprinzipien in der Photographie von den Anfängen bis zur Gegenwart. Exh. cat. Berlinische Galerie. Berlin.

1989

Martin Friedman (ed.), Vanishing Presence. Exh. cat. Walker Art Center, Minneapolis, The Detroid Institute of Art, Winnipeg Art Center, High Museum of Art, Atlanta, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, Virginia Museum of Fine Arts, Richmond. New York.

1988

Abigail Solomon-Godeau (ed.), Sexual Difference: Both Sides of the Camera. Exh. cat. The Miriam and Ira D. Wallach Art Gallery. New York.

1986

Richard Flood, Carlos Mendez Dominguez (eds.), Memento Mori. Exh. cat. Centro Cultural de Arte Contemporáneo. Mexico City.

1985

Richard Flood (ed.), Memento Mori. Exh. cat. Goldie Paley Gallery, Philadelphia.

1980

Geno Rodriguez (ed.), Beyond Photography '80. Exh. cat. The Alternative Museum. New York.